The years from 2005 to 2017 have been a time of significant growth at PNCA, as this broader vision of educational programming comes to fruition. During this period, the school changed its approach of emphasizing a strong regional aesthetic toward a national and international vision, gradually developing as a stronger driving force in the visual arts. PNCA later became an independent college of art and design, changing to its current name in the fall of 1981, and separating entirely from the Portland Art Museum in 1994. Many renowned American artists were students of the school in the twentieth century, including Thelma Johnson, Lee Kelly, Duane Zaloudek, and Sally Cleveland. They brought influences from Abstract Expressionism, Modernism and native, Asian, and European traditions, while developing and reifying Oregon regionalism. Painters Jack McLarty, Louis Bunce, Michele Russo, George Johanson, Harry Widman, sculptor Manuel Izquierdo, and potter Bennet Welsh also left important imprints on art teaching in the region. Douglas Lynch and Leta Kennedy established a program of study in commercial and graphic design. Painter and printmaker William Givler served as dean until 1973. The Museum Art School continued to grow a larger regional student body as influential faculty members helped position it as a progressive leader in the arts community, especially during the post-war period. From the beginning, many notable educators and artists taught at the school, including Harry Wentz, an early proponent of Oregon regionalism, who served as dean from 1910 through 1941. Anna Belle Crocker, the first director of the museum, was also the first principal of the Museum Art School. Pacific Northwest College of Art (PNCA), founded in 1909 by the Portland Art Association as the Museum Art School, was originally part of the Education Department of the Portland Art Museum.
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